Fear and loathing in the Australian outback is what Kitty Green’s sophomore feature, The Royal Hotel, is more or less about. The
MoreMahalia Belo’s latest film, The End We Start From, is a difficult, precise and touching yet psychologically taxing apocalyptic drama that leaves
MorePatricia Arquette’s directorial debut, Gonzo Girl, adapted from Cheryl Della Pietra’s autobiography and loosely based on the father of Gonzo journalism, Hunter
MoreVeteran actress Kristin Scott Thomas revisits her childhood and uses it as the starting point of her lovely, touching and accomplished directorial
MoreLegendary cinematographer Ellen Kuras has come full-circle with her immaculate directorial debut, Lee, that recounts a period of ten years in the
MoreAdura Onashile debuted her award-winning short film, Expensive Shit, at the 2020 BFI London Film Festival, which went on to screen at
MoreBad Behaviour, Alice Englert’s thought-provoking debut feature she has penned and in which she also stars in is an “enlightened” and meditative
MoreInternationally acclaimed Canadian visual artist Sheila Pye’s directorial debut, The Young Arsonists, is a lyrical slow-burning exploration of teenage angst. A psychological
MoreÁsa Helga Hjörleifsdóttir’s sophomore feature, A Letter from Helga (Svar við bréfi Helga), adapted from Icelandic author Bergsveinn Birgisson’s beloved short eponymous
MoreBetween the patients, the nursing staff and the doctors, it’s extremely hard to discern who is more unbalanced. Shouldn’t one have a
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