Aga Woszczyńska’s lusciously tense and deeply observant feature debut, Silent Land, is the story of the dissolution of a middle-class Polish couple
MoreHave you ever had a voice inside your head that is tearing you down? Has it always told you what to be
MoreThe scariest thought for a parent is to have their children taken away from them. This frightful rumination is exactly what innovative
MoreMade over six summers by Fabienne Abramovich, her documentary Loves Me, Loves Me Not talks about love – literally. Its first festival bow was
MoreA Sort of Homecoming, Maria Burton’s fourth feature, is a moving indie coming of age tale set in the world of high
MorePaula Ortiz’s second feature, The Bride, is a visually splendid adaptation of Federico García Lorca’s Blood Wedding. After festival bows in San Sebastián and
MoreCambodian director Sotho Kulikar’s debut film, The Last Reel, screened at the Tokyo International Film Festival and the Far East Film Festival where
MoreNancy Kates’ documentary Regarding Susan Sontag is a close and nuanced look into the life of one of the most provocative and influential intellectuals
MoreLimbo, Danish director Anna Sofie Hartmann’s first feature – that she also wrote – opens with a series of wide shots of
MoreMusic has always had a rather strong place in film, sporadically appearing on big and small screens alike. After big hits such
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