Adura Onashile debuted her award-winning short film, Expensive Shit, at the 2020 BFI London Film Festival, which went on to screen at
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Internationally acclaimed Canadian visual artist Sheila Pye’s directorial debut, The Young Arsonists, is a lyrical slow-burning exploration of teenage angst. A psychological
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Ása Helga Hjörleifsdóttir’s sophomore feature, A Letter from Helga (Svar við bréfi Helga), adapted from Icelandic author Bergsveinn Birgisson’s beloved short eponymous
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Between the patients, the nursing staff and the doctors, it’s extremely hard to discern who is more unbalanced. Shouldn’t one have a
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Aga Woszczyńska’s lusciously tense and deeply observant feature debut, Silent Land, is the story of the dissolution of a middle-class Polish couple
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Have you ever had a voice inside your head that is tearing you down? Has it always told you what to be
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The scariest thought for a parent is to have their children taken away from them. This frightful rumination is exactly what innovative
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Made over six summers by Fabienne Abramovich, her documentary Loves Me, Loves Me Not talks about love – literally. Its first festival bow was
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A Sort of Homecoming, Maria Burton’s fourth feature, is a moving indie coming of age tale set in the world of high
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Paula Ortiz’s second feature, The Bride, is a visually splendid adaptation of Federico García Lorca’s Blood Wedding. After festival bows in San Sebastián and
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