Anna Sofie Hartmann

Born in 1984, Anna Sofie Hartmann grew up in the rural town of Nakskov in Denmark. A year at the European Film College in Arhus was followed by a move to Berlin, where she worked in the studio of artist Olafur Eliasson. In 2008, she enrolled at the Deutsche Film und Fernsehakademie in Berlin. “Limbo” is her debut feature that screened in thKutxa New Directors section of this year’s San Sebastián Film Festival. 

At the aforementioned film festival, Tara Karajica talks to Anna Sofie Hartmann about her first feature film and next projects.

 

 

What prompted you to make this film? How did the idea come to be? What is the message that you wanted to convey with Limbo?

Anna Sofie Hartmann: In the last two years, I’ve thought a lot about what it is to be a woman and I’ve been confronted with it myself. How there are certain expectations of how to act, how be and what is our place in society. I thought a lot about the history of feminism and I wanted to have a film that took place in the city I come from. This city is like a lot of other small cities and it’s dying out and has a lot of problems. The idea came because I am very curious about young people. The year before I started writing the script I went there to do a photo project – I like to do photography –. As I did these interviews and took these portraits of these kids, I thought “Oh! They’re really easy to talk to!” And then, the idea came to have this young girl who’s finding out who she is and to have the teacher who is sort of my age also trying and figure out who she is.

Why did you choose to shoot the film there?

A.S.H.: I feel very connected to it. I know all the spaces and I really thought it was interesting to have a city that is very specific and has very specific problems but at the same time I really think they’re everywhere. It’s not explicitly negotiated in the film but this city had big economic problems and it’s a part of Denmark that’s always been talked about negatively. There are a lot of problems with unemployment and people are struggling to figure out who they can be now in the post-industrial age. You know, I’ve been away for so long, so for me where I come from has some sort of almost mythical dimension. I can imagine stories taking place there and at the same time it’s very concrete so I wanted to have this very concrete city, this very concrete space that has a very concrete history. That was the atmosphere I was interested in also.

I thought a lot about the history of feminism and I wanted to have a film that took place in the city I come from.

Can you talk about the casting and shooting process?

A.S.H.: I had a friend from Berlin who is also a filmmaker come to Nakskov and we went together to meet the kids. We had a little thing posted on the school’s website that we were looking for people and we just sort of met with them and talked. I’ve been helping with castings for other people also and I always found that from a normal conversation you learn so much, immediately how people move… And, that went pretty smooth. We cast two months before the film and it all went pretty fast and all the kids in the film come from the school. I didn’t make them act or anything. For the role of Sarah, we did some improvisations, and at one point they met with Sofia who plays Karen.

What are your next projects?

A.S.H.: It’s at a very early stage but I am still attracted to this island I am from and there are so many weird, interesting, curious faces. But, it’s so early to talk about it…

 

This interview was conducted at the 2014 San Sebastián Film Festival.

Tara Karajica

Tara Karajica is a Belgrade-based film critic and journalist. Her writings have appeared in "Indiewire," "Screen International," "Variety," "Little White Lies" and "Film New Europe," among many other media outlets, including the European Film Academy’s online magazine, "Close-up" and Eurimages. She is a member of the European Film Academy, the Online Film Critics Society and the Alliance of Women Film Journalists as well as the recipient of the 2014 Best Critic Award at the Altcine Action! Film Festival. In September 2016, she founded "Yellow Bread," a magazine dedicated entirely to short films, ranked among the 25 Top Short Film Blogs and Websites on the Planet in 2017. In February 2018, she launched "Fade to Her," a magazine about successful women working in Film and TV and in 2019, she was a member of the Jury of the European Shooting Stars (European Film Promotion). She is currently a programmer for live action shorts at PÖFF Shorts, Head of the Short Film Program and Live Action Shorts programmer at SEEFest and Narrative Features Programmer at the Durban International Film Festival. Tara is a regular at film festivals as a film critic, moderator and/or jury member.

Previous Story

San Sebastian Film Festival 2014. Review of “Limbo” by Anna Sofie Hartmann

Next Story

Warsaw Film Festival 2014. Review of “Regarding Susan Sontag” by Nancy Kates

Latest from FADE TO...

Mia Hansen-Løve

French filmmaker Mia Hansen-Løve has made eight feature films, rising to international prominence in 2014 with

Sahar Mossayebi

Sahar Mossayebi was born in Tehran. She graduated in Theater with a BA from The Azad

Claire Denis

Idolized not only by the next generation of talents in today’s Cinema such as Alice Diop,

Isabel Coixet

Following her 2022 documentary El sostre groc, Catalan trailblazer Isabel Coixet returns to fiction with Un

Kitty Green

Australian director Kitty Green follows up her critically acclaimed feature debut The Assistant with her sophomore